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DOUBLE  TAKES

      One of my seminal influences was a 1981 book by Richard Whelan titled Double Take: A Comparative Look at Photographs.  Whelan explores the aesthetics and history of photography by showing images of similar subjects as interpreted by various artists.  Not only did this provide me with a grounding in the medium, it also gave me an idea that would bear fruit decades later.  These pictures simulate the actual works, which are photographs placed in a taupe double-mat.